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GIRLS AREN'T FUNNY.

You cannot be what you cannot see. There aren't enough female humor writers, and there aren't enough sites that highlight the ones that do exist.

Girls are funny. Women are funny. Babies can be funny-looking.

An assortment of new, old, and aggregated humor and satire essays from around the web. (And some of my own.)

If you pee your pants, I did my job, or you should call Kris Jenner.

Taking submissions & suggestions.

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{Curated by Meredith Fineman}

  • Note

    29th June 2012

    Seeing Nora Everywhere, by Lena Dunham. {The New Yorker}

    “This Is My Life” is the movie that made me want to make movies. I first saw it in second grade, so I wouldn’t have articulated it as such, but that’s what was going on. I must have watched it on VHS eleven or twelve times in one summer, trying hard to grasp something. About its characters? About its construction? On each viewing, a new joke or angle revealed itself to me and its world became richer. I loved Samantha Mathis’s surly teen, Gaby Hoffmann’s quippy innocent, and especially Julie Kavner’s Dot, their single mother, a standup comedian hellbent on self-actualizing despite, or maybe because of, these daughters. But what I really loved was the person orchestrating the whole thing. The costumes, perfectly low-rent polka-dotted blazers and grungy winter hats. The music, a mixture of vaudevillian bounce and Carly Simon’s voice that somehow made the city seem more real than if car horns scored the film. The camerawork, a single gliding shot that followed each family member into her bedroom as she settled into a new apartment in a less than desirable Manhattan neighborhood. I loved whoever was making these actresses comfortable enough to express the minutiae of being a human woman onscreen.

    It wasn’t until years later that I understood this was Nora Ephron. I devoured her prose, her other film offerings, and became a fangirl right along with my mother, aunt, grandmother, and every other intelligent woman in the tristate area. Which is why it was so momentous when, in March of 2011, I received a short, perfect e-mail from Ephron, saying she had seen and enjoyed my film and would like to take me to lunch.

    Read the full article here.

    new yorker lena dunham nora ephron
Smell you later.

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